Thursday, July 31, 2025

The Fantastically Daft Meltdown over Sydney Sweeney’s Jeans

By Charles C. W. Cooke

Tuesday, July 29, 2025

 

Have you heard about the controversy that is “swirling” around American Eagle and Sydney Sweeney at present? Yes, that American Eagle and that Sydney Sweeney; the clothing outlet and the actress. Oh, you must. You see, the two of them recently teamed up for a marketing campaign, and, together, they made an ad in which Sweeney wore jeans and showed off her figure and drove a vintage car and did other Sydney Sweeney–esque things in front of the cameras. Unfortunately, though, everything “went wrong.” No sooner had the spot debuted than it had been deemed “provocative” and “offensive” and found guilty of “sparking debate.” And not about just any old thing, either. No, sir. The question that was presented by Sweeney’s new American Eagle commercial was whether or not the Nazis were Good.

 

You read that right. The National Conversation that has been bolted to this transient exhibition of denim has been about . . . eugenics, as conceived within the Third Reich. Swiftly after the ad was released, a handful of people on the internet began complaining that American Eagle had released a white supremacist commercial, and, as is often done, the self-licking ice cream cone was swung immediately into action: Some people were talking about it online, which meant that the press was able write about it as if it were a real story, which meant that the opinion outlets were able to get involved with a clear conscience, which meant that the press was able to write about it some more, which meant that other people were guaranteed to talk about it online, and, before too long, we had one of those perplexing news cycles that start with a single, mind-numbing complaint from the most ridiculous people in the country and end with daily updates on whether any of the figures who are passively involved in the circus have yet “responded to the allegations.”

 

Which, in this case, are that, during the course of one of the commercials, Sweeney says,

 

Genes are passed down from parents to offspring, often determining traits like hair color, personality, and even eye color. My jeans are blue.

 

QED, fascists!

 

Per Amber Raiken, of The Independent, “the phrases ‘good genes’ and ‘great genes’ have historically been used in the language of eugenicists, who believe the human race can be improved genetically by selective breeding.” Which, yes, is true, but which is also as self-evidently irrelevant to this matter as the fact that, by an amazing coincidence, Sydney Sweeney’s initials happen to be “SS.” The core point here — the sole purpose of the not-especially-good genes/jeans pun, and of the campaign more broadly — is that Sydney Sweeney is attractive. That’s it. That’s the game. That’s the solitary message that American Eagle is attempting to convey. If there is anything subliminal going on, it is that, like every other company in the world that hires a popular celebrity, American Eagle wants consumers to think that, if they, too, buy the product that their featured star is wearing, they will become just like her. Beyond that, however, there is nothing of consequence to interrogate. Pretty girl. Blue jeans. That’s all, folks. Had American Eagle wanted, its commercial could just as easily have said, “Sydney Sweeney looks extremely hot in our clothes” — although, if it had, the same people who objected to this one would no doubt have become convinced that, if they squinted a little, they could detect the shadow of a disquisition on global climate change.

 

Why is this annoying? Partly because it’s dumb — and because we need less stupidity rather than more. Partly because, once again, the media have indulged the silliest people in America — rather than ignored them, as they deserve. And partly — mostly, really — because this incident illustrates the preposterous double standard that our would-be arbiters of taste routinely apply to quotidian uses of the English language. When the phrase at hand is, say, “From the river to the sea” or “Globalize the intifada” or “Defund the police,” we are treated to exquisite journeys into nuance and context, alongside detailed dissections of how words are translated from one language to another. In those cases, we are assured that nobody who says any of those things actually means them — even when their utterance is attached to a clear declaration of intent. But when American Eagle makes an advertisement for denim, all hell breaks loose. A pretty blonde girl says she has good jeans — in a commercial for jeans — and the presumptions instantly invert.

 

Which is ridiculous, isn’t it? For my sins, I have now subjected myself to a bunch of essays and conversations that promulgate the idea that American Eagle has put out a Nazi denim advertisement, and none of them have come close to answering the only question that matters here, which is, “Why?” Why would American Eagle do anything of the sort? Why would Sydney Sweeney consent to help? And who, upon watching the spot, would react to it by reaching for their copy of Mein Kampf? To believe that there is anything nefarious about the “Sydney Sweeney has good jeans” line, one has to forget everything one knows about sex, fashion, and marketing, to conclude that Sydney Sweeney is sedulously attempting to commit career suicide, and to imagine that, when this idea was merely embryonic, American Eagle’s beleaguered owners came back from lunch one sunny afternoon, sat happily around their corporate meeting table, and wondered aloud whether their favorite ad agency might just happen to have anything a bit Himmleresque lurking in its summer collection.

 

Or, to put it another way: one has to be a total bloody moron.

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