By Christine Rosen
Sunday, May 18, 2025
The left has an oligarch problem. No, not the problem
Senator Bernie Sanders and Representative Alexandria Ocasio-Cortez are railing
about on their multicity “Fighting Oligarchy” tour. Nor is it the problem that
President Biden chose to highlight in his farewell address from the Oval
Office, when he warned, “Today, an oligarchy is taking shape in America of
extreme wealth, power, and influence that literally threatens our entire
democracy, our basic rights and freedoms, and a fair shot for everyone to get ahead.”
The left—and the Democratic Party to which its members
have pledged allegiance—is the party of wealth and oligarchy.
This conundrum was captured inadvertently in a recent
issue of the New Yorker, where readers were offered a glimpse “inside
the living rooms of notable New Yorkers.” The spread featured many cultural
celebrities of the left (AOC, Al Sharpton, Gloria Steinem), but the most
notable image was that of former Hillary Clinton adviser Huma Abedin and her
fiancé, Alex Soros (son of George, he was recently installed as head of the
progressive Open Society Foundation), shown in his apartment in NoHo, “in a
room whose spectacular city views serve as its adornment.” Both Abedin and
Soros are dressed casually in the same monochromatic olive-green color as the
modern armchairs, and both wear the dour and slightly disturbed expression of
subjects in a portrait painted by Lucian Freud (whose coffee-table book is one
of a few visible in the photograph).
The palpable awkwardness of the scene reflects the
contradiction embedded in the Democratic Party and the cultural left more
broadly these days: Images of oligarchs in repose are off-brand for their
messaging and yet reflective of reality. As Sam Zacher of Yale University noted
in a recent paper about the polarization of the rich, “Affluent Americans used
to vote for Republican politicians. Now they vote for Democrats.” But the
Democratic party still wants to be viewed as the representative of ordinary working
Americans. No wonder Huma and Alex look like unhappy contestants in a
billionaire’s version of Squid Game.
The Democratic Party’s capture by the wealthy happened in
large part because it is the wealthy who have the luxury of caring a great deal
about cultural issues rather than basic economic concerns such as inflation.
They can weather economic storms, so the details of tax policy or regulation
have become less pressing for many of their devoted members; the real battle,
in their minds, is prodding the rest of the country to embrace their own
enlightened views about race, sex, immigration, drugs, and the like. Writer Rob
Henderson coined the phrase “luxury beliefs” to describe the ease with which
the wealthy embrace extreme ideological positions about criminal justice and
drug use, for example, even as the negative impacts of such policies (poverty,
rising crime) never affect them.
The Democratic Party’s doubling down on extreme cultural
issues, such as transgender ideology and its insistence on allowing men in
women’s sports, or open-borders policies, is fueled in large part by its
wealthy supporters who experience no real-world consequences for their own
moral grandstanding. Indeed, those supporters have successfully raised a great
deal of money through a network of foundations and super PACs whose overriding
mission is to promote cultural causes most Americans oppose, and that likely
cost Democrats the 2024 election.
This also explains the cognitive dissonance that emerges
whenever Democratic officials try to talk about the dangers of the influence of
wealth on politics. In March, Senator Charles Schumer confessed on The View,
“I wake up at three in the morning sometimes, so worried about the future of
the country under these oligarchs.” Schumer’s Senate PAC raked in over $81
million between 2021 and 2023 from a single liberal dark-money super PAC,
Majority Forward. Evidently, not all oligarchs keep him up at night.
Likewise, Democratic socialists like Sanders and
Ocasio-Cortez are touring places like Bethlehem, Pennsylvania, and Des Moines,
Iowa, attacking the rich at every stop, trying to win back the working-class
voters who defected to Trump and the Republican Party. The tour’s slick website
solicits donations, describes special celebrity guest stars appearing with
Sanders (Maggie Rogers! Joan Baez!), and hawks merchandise such as a “Tax the
Rich” T-shirt.
Yet their largest crowds thus far have been in solidly
Democratic cities like Los Angeles. Sanders even made an appearance at the
Coachella music festival, where general admission starts at around $600 per
ticket. There is also the long-standing fact that those in the Democratic
Party’s socialist wing live like the class of people they attack: Sanders is a
millionaire who owns multiple homes (keen observers note that he no longer
harangues millionaires, only billionaires, in his speeches). He also travels like
an oligarch to the rallies where he calls for their heads; the Washington Free
Beacon reported that Sanders spent more than $200,000 so far on private jets
for his tour. He was unrepentant when asked about his private jet use by Bret
Baier on Fox News, saying it was “the only way you can get around, no
apologies” and scoffing at the idea that he would travel like a pleb: “Think
I’m going to be sitting at a waiting line at United?” As with the climate
activists and celebrities who own multiple homes and fly private jets around
the world while demanding that ordinary people stop using fossil fuels, “Do as
I say, not as I do” is a message that encourages cynicism among the masses.
Such sanctimony is perhaps what drove a frustrated
Democratic senator, Elissa Slotkin, to suggest that her fellow Democrats stop
railing against “oligarchy” and find a message that connects better to voters,
particularly on economic issues. She’s right to argue that wealth-shaming isn’t
the silver bullet Sanders and others think it is. For one thing, the American
people might think the wealthy have rigged the system, but they also find the
rich to be objects of fascination. Popular culture is overflowing with
voyeuristic gateways to the way the wealthy live, eat, dress, and, often,
misbehave, as shows such as The White Lotus and Real Housewives of
Beverly Hills demonstrate. Many Americans might think an oligarch like Elon
Musk is a loose cannon, but they also respect the fact that he is the
wealthiest man on the planet. They notice that he doesn’t engage in bouts of
public self-flagellation about his wealth and doesn’t pretend to be a normal
person rather than the influential billionaire he is. Similarly, when Donald
Trump was campaigning and went to work the fryer at a McDonald’s for a photo
op, he wore his standard suit and tie under his apron, not a McDonald’s uniform.
He didn’t pretend to be a worker; he was Trump being Trump at a McDonald’s.
Voters recognize the difference.
Founding Father John Adams understood something that
today’s cultural and political left has forgotten: Yes, oligarchy is a threat
to democracy, because if money buys influence, the concerns of those without it
go unheard. But the flip side is that people also admire the wealthy. Adams
compared the allure of wealth to that of physical beauty. Like beauty, which is
also unequally distributed but esteemed, wealth is “acknowledged to glitter
with the brightest luster in the eyes of the world,” he wrote.
Which brings us back to the dead-eyed stare of the
billionaire Soros scion in the New Yorker’s photo spread: Like many on
the left, Soros is cosplaying normalcy when everyone knows he is a
second-generation oligarch with great influence on the future of the Democratic
Party. The real question is this: Will the party he funds—the party formerly known
as that of the working man—finally acknowledge its new luxury branding?
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