By Noah Rothman
Monday, September 29, 2025
Cuban authorities have not said what caused the late
Joanne Chesimard’s death. They say only that the 78-year-old passed away from
health complications arising from old age, and we have no reason to disbelieve
them. Chesimard spent the last 40 years residing comfortably in Havana as a
guest of the communist state: a teacher, a writer, a lecturer, and, most
important — indeed, her foremost value to the Cuban regime — a fugitive from
American justice.
The nom de guerre by which Chesimard is known to most
Americans, Assata Olugbala Shakur, is more likely to trigger dim recollections
of the crimes that made her into a figure of veneration among those who promote
the notion that the United States of America is an illegitimate regime. In his
book, Days of Rage, the author Bryan Burrough described her as “the
purest expression of revolutionary ardor” — “a ferocious, machine-gun-toting,
grenade-tossing, spitting-mad Bonnie Parker for the 1970s, an archetype for a
series of badass heroines heralded in Foxy Brown, Get Christie Love!,
and other blacksploitation films of the day.”
A City College student before falling in with elements
that would later compose the Black Liberation Army, Shakur was an instrumental
element of many of the outfit’s plots, most of which were designed to foment
revolution in America by first killing cops. Shakur evaded justice until 1973
when she and her BLA associates were pulled over on the side of the New Jersey
Turnpike.
According to law enforcement’s account, Shakur was among
the BLA assets who started shooting when an officer discovered a semiautomatic
pistol magazine in the vehicle. Trooper James Harper was wounded in the
exchange of fire. His colleague, Trooper Werner Forrester, was shot twice in
the head with his own gun. Assata Shakur would be wounded before her arrest —
her compatriot, Zayd Shakur, was shot and killed.
Chesimard’s allies maintain that her injury was sustained
only after she had surrendered to police, but a jury saw fit to convict her of,
among other charges, first-degree murder. But two years after her conviction,
and with the aid of other militant groups of the era — including the all-female
communist guerilla group “May 19” and an insurgent outfit calling itself “The
Family” — Assata Shakur was freed from New Jersey’s Clinton Correctional
Facility for Women, eventually making her way to Cuba in 1984.
Shakur’s story has long endeared her to America’s
radicals. But whereas we could once say that the radicals were relegated to the
fringes of American public life, they are front and center today — in command
of some of the country’s most influential institutions.
Evidence of her enduring cult of personality is apparent
in her erstwhile alma mater, City College, briefly naming a community center after the
convicted cop killer, as well as a 2017 social media post by the Women’s
March organization hailing Shakur’s accomplishments on her birthday. “A woman’s
place is in the struggle,” wrote the outfit that Senator Kirsten
Gillibrand would later call “the suffragettes of our
time.” It was apparent in a 2013 Washington Post profile of
Shakur that celebrated her enduring cultural relevance. She is name-checked in
the “Rapper Common’s ‘A Song for Assata’” and the hip-hop group Public Enemy’s
oeuvre. It was betrayed by the slogan that adorned T-shirts during the riots
that engulfed Ferguson, Mo., in 2014 and Baltimore, Md., in 2015: “Assata Taught Me.”
That cultish reverence has been out in force since news
of Shakur’s death hit the wires over the weekend.
“To many Black people she was a folk hero,” the New York Times matter-of-factly
declared. “For decades, Assata Shakur has been a towering figure in American
movements for black liberation and racial justice,” NPR host Alisa Chang mused. Her interlocutor, NPR’s
national correspondent, Adrian Florido, agreed. “Assata Shakur was a central
figure in the Black Liberation Army,” he noted, “who took up arms in the fight
against the oppression of black people.” After a prolonged recitation of the
radicals’ version of the events that led to Shakur’s arrest, conviction, and
flight from justice, Rolling Stone magazine
reprinted the text of Shakur’s unrequited 1998 letter to Pope John Paul II. “I
advocate an end to capitalist exploitation, the abolition of racist policies,
the eradication of sexism, the elimination of political repression,” she wrote
while living comfortably under the protection of the repressive, exploitative,
and, indeed, racist regime in Havana. “If that is a
crime, then I am totally guilty.”
Some of the more revealing eulogies came from quarters of
American society in which the radicals are less predisposed to temper their
enthusiasm for revolutionary violence. “The American state brutally oppressed
Assata and her Black Panther Party Comrades,” the Democratic
Socialists of America declared. “The Cubans welcomed
her and other Black Revolutionaries with asylum, and their solidarity and
loyalty allowed Assata to live out her days in Havana.” Not to be outdone, the
Chicago Teachers’ Union — an institution that now lacks any compunction to hide
its subversion from skeptical eyes — sounded similar notes. “Today we honor the
life and legacy of a revolutionary fighter, a fierce writer, a revered elder of
Black liberation, and a leader of freedom whose spirit continues to live in our
struggle,” wrote the people who advocate on behalf of educators. “Assata
refused to be silenced,” they
continued. “Rest in Power, Rest in Peace, Assata Shakur.”
All this hagiography represents an admission against the
progressive left’s interests. The story that Shakur’s defenders retailed for
years maintains that their hero was innocent. She never fired a shot on that
New Jersey highway, they insist. In fact, she was in the process of
surrendering when she was wantonly wounded, and the charges against her were as
dubious as those that resulted in dismissals, acquittals, or hung juries over
the course of her long career in the BLA’s revolutionary underground.
In posthumously recognizing Shakur’s militancy, these and
other outfits tacitly admit that what endears her to the radical left is not
her poetry but the violent example she set as an outlaw. They love her for the
violence she committed and advocated. That violence does not detract from her
personality cult; it is the whole basis for it.
Shakur is hardly the only militant of this era to have a
martyrology crafted around her. Indeed, similar cults have sprouted up around
so many violent radicals in that age. But whereas we might once have
disregarded that unhealthy expression of radical zeal as a quirky feature of
America’s political fringes, the chickens that project incubated are coming
home to roost. We no longer have the luxury of pretending these sociopathic
expressions of understanding for those who commit anti-American political violence
don’t have any real-world consequences. They most certainly do.
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