By Rich Lowry
Tuesday, October 20, 2026
‘All my life,” Charles de Gaulle famously said, “I have
had a certain idea of France.”
This, though, was presumably not what he had in mind.
France has been wracked by riots targeting public buildings and symbols of the
nation, as well as ordinary commercial concerns.
Of course, France has a long tradition of unrest on the
streets. If someone isn’t setting a car alight somewhere in the country in
protest, you almost wonder what’s gone wrong. In 1968, President de Gaulle
himself briefly fled Paris for fear that student protesters were going to
topple the government, before finding his nerve.
So, it’s not unusual that things are getting wrecked and
burned, but the disorder is portentous all the same. It started as
demonstrations against underfunded schools and has morphed into a red-green
campaign of mayhem ranging much more widely.
Palestinian flags and the slogan “Free Palestine” are
ubiquitous. It’s not clear what either of these things should have to do with
burning down the elegant, 19th-century town hall building in Limoges or looting
a Louis Vuitton store. But the Palestinian banner has become the equivalent of
the North Vietnamese flag in the 1970s — a symbol of resistance to the West,
and in this case, fierce opposition to Zionism and so-called
settler-colonialism.
The flag also speaks to the immigrant component of the
riots. France has done a poor job of assimilating immigrants and their
children, a large portion of whom are Muslims from North Africa, thanks to
France’s colonial history and, in particular, its incorporation of Algeria into
France for a period of time (an insanely unrealistic project).
The problems that France has been creating for itself
were foreseeable, and indeed foreseen. As long ago as March 1959, de Gaulle is
reported to have warned, “The Arabs are Arabs, the French are French. Do you
think that the French can absorb ten million Muslims who will tomorrow be
twenty million and after tomorrow forty?”
One way to look at these riots is as Frantz Fanon’s
revenge. What the great mid-20th-century theorist of anti-colonial resistance
called “the wretched of the earth” are living in the downtrodden suburbs of
Paris and, in effect, seeking to colonize the colonizers.
Make no mistake, though — white radicals, too, have taken
a large hand in the disorder. Jean-Luc Mélenchon, the leader of an ascendant
left-wing party, has participated in the protests and condemned police for
their supposedly brutish tactics. He celebrates the “creolization” of France
and views immigrants and their children as part of a potential “bloc de
rupture” that can revolutionize French politics and shift it radically to the
left.
What’s ultimately in play is French identity. The country
has traditionally had a universalizing mission (whether advancing Christianity
or evangelizing for Enlightenment values, depending on the regime) joined to a
deep pride in the French nation. The rioters, who are illiberal and
unpatriotic, aren’t much interested in either. Mélenchon has said that French
identity cannot be a “tradition” but is a “creation in permanent evolution” —
and here, as has often happened in France’s history, it is evolving on the
streets.
The unrest also serves as a warning that, should the
French public reject this left-wing vision and turn to the outré nationalist
Marine Le Pen in next year’s election, the country will be made ungovernable.
With the disorder spreading elsewhere, other Western European countries will
also have to take note.
A key element of de Gaulle’s “certain idea of France” was
its inherent greatness. His beloved France, though, is already a second-rank
power. Its debt-to-GDP ratio is 120 percent of GDP, while much of the public apparently
believes it is living under intolerable austerity and that there is no
political will to pull back on spending. An overmatched President Emmanuel
Macron, presiding over a restive country, represents an exhausted center that
has done much to bring the nation to this point.
Whatever France’s immediate future, greatness is not going
to be part of the picture.
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