By Kevin D. Williamson
Monday, November 20, 2017
The history of the postwar period is the history of the
struggle against Communism. What’s sometimes forgotten — conveniently forgotten
— is that our victory in that struggle was far from assured, and that a
substantial swath of the Western intelligentsia and much of its celebrity
culture was on the other side. It wasn’t just Jane Fonda and Noam Chomsky,
Walter Duranty and Lincoln Steffens. (“I have been to the future,” Steffens
wrote after a visit to the Soviet Union, “and it works.”) Eventually, 100
million people would die under Communism as part of the longest and widest
campaign of mass murder in recorded human history. As a phenomenon of
specifically nuclear terror, the Cold
War lasted from 1949, when the Soviet Union tested its first atomic bomb thanks
to the help of the American leftists Julius and Ethel Rosenberg, until 1989,
when the Berlin Wall came down.
Precisely in the middle of that period came the strange
career of Charles Milles Manson, who has just died in a California hospital at
the age of 83.
Manson’s death, like his life, was wrapped up in the
radical politics of the 1960s. He died of natural causes, his execution having
been set aside as part of the temporarily successful progressive campaign
against the death penalty in the 1970s.
Just as it is easy to forget how pro-Soviet the American
Left was at times, it is easy to forget how pro-Manson American radicals were.
“First they killed those pigs, then they ate dinner in the same room with them,
then they even shoved a fork into a victim’s stomach. Wild!” That was the
assessment of Bernardine Dohrn, the champagne radical who, with her husband,
Bill Ayers, participated in a campaign of domestic terrorism, including
bombings, and later became cozy with Barack Obama, hosting events for the aspiring
politician in her home. The “pigs” she referred to included Sharon Tate, an
actress who was eight months pregnant at the time. She was murdered and
mutilated. The word “PIG” was scrawled on the wall in her blood, and the father
of her child, filmmaker Roman Polanski (to this day still on the run for
drugging and raping a 13-year-old girl), posed in front of that scene for a Life magazine photographer. Dohrn would
later join a very prestigious Chicago law firm, Sidley Austin, and later worked
as a professor of law at Northwestern University — remarkable accomplishments
for a woman without a law license. She passed the bar, and Illinois was willing
to overlook her criminal conviction, but she refused to apologize for her role
in the terrorist campaign that resulted in several deaths. She and her husband
became legal guardians of the child of two of their colleagues, who went to
prison on murder charges for their role in a homicidal armored-car robbery
carried out by the May the 19th Communist Organization, a clique of New York
leftists who named their organization in honor of Ho Chi Minh’s birthday.
Dohrn wasn’t the only Manson admirer of her time. Other
Weathermen hoisted a “Manson Power” banner in 1969 when they issued their
declaration of war on the United States, and Rolling Stone’s coverage of the man and his crimes — it dedicated a
special issue to him — was at times fawning. The magazine depicted him on its
cover as the thing he’d always wanted to be: a rock star. A radical newspaper
named him “Man of the Year.” Jerry Rubin, the celebrated anti-war activist,
said: “I fell in love with Charlie Manson the first time I saw his cherub face
and sparkling eyes on TV.” That cherub face later had a swastika carved into
it. “His words and courage inspired us,” Rubin said.
Manson believed he was sent to inspire an apocalyptic
race war. The radicals of the period wanted a race war, too, and they sometimes
got a little bit of one: There were 159 race riots in 1967. In Detroit alone,
43 people died in those riots. Lyndon Johnson was so spooked he sent in the
82nd Airborne to put a lid on it.
Riots and snipers. Assassinations. Lyndon Johnson. Dohrn
and Ayers and “Days of Rage.” Rubin and his anti-Vietnam marches. Rolling Stone’s batty insistence that
Charles Manson was a principled social critic. Manson’s cult-messiah shtick. It
was all of a piece: The 1960s were an almost entirely joyless period. Go back
and look at those Woodstock pictures: Nobody was having any fun. What you see
in those pictures is the desperation of people trying to convince themselves
they are having a good time. Even the music was joyless, Jimi Hendrix letting
his virtuosity go to rot while plonking out a honking flatted fifth, the
ugliest chord in music (“diabolus in
musica,” they call it) to open “Purple Haze,” the great anthem of the era,
a song about confusion. “Nowadays people don’t want you to sing good,” Hendrix
wrote in a letter to his father. “They want you to sing sloppy and have a good
beat to your songs. That’s what angle I’m going to shoot for. That’s where the
money is. So just in case about three or four months from now you might hear a
record by me which sounds terrible, don’t feel ashamed, just wait until the
money rolls in because every day people are singing worse and worse on purpose
and the public buys more and more records.” The Sex Pistols were right about
rock ’n’ roll being a swindle.
There were exceptions, of course. As the cities burned
and the war raged and the trains to Siberia were packed full of dissidents, the
Beach Boys released 20/20, an album
in which they attempted to recapture some of their early magic. But it was hard
going: Brian Wilson, the genius behind the group, was in a psychiatric hospital
at the time. The first single was “Do It Again,” a surf-y revisitation of their
early sound, followed by “Bluebirds Over the Mountain,” a pop song from the
1950s recorded by, among others, Ritchie Valens.
The B-side to that single was “Never Learn Not to Love,”
written by Charles Manson. He’d wormed his way into Brian Wilson’s social
circle by organizing orgies for him. He wasn’t much of a songwriter, but his
songs are still occasionally performed and recorded. The impeccably progressive
Henry Rollins produced an album of songs performed by Manson, though it never
was released. The two were pen pals for a while. Neil Young had pitched
Manson’s music to Warner Bros. John Lennon, who ought to have known a cynical
operator when he saw one, described Manson as a man who “took children in when
nobody else would.” Not that he was a fan of publicity-stunt mass murders: “I
just think a lot of the things he says are true.”
Of course they fell for it. The idealist con is one of
the oldest and most lucrative hustles going. The idiot children of the 1960s
talked up Charles Manson for the same reason Langston Hughes wrote paeans to
Joseph Stalin, for the same reason American progressives still take the side of
the Rosenbergs and still think Alger Hiss was framed. Langston Hughes wasn’t a
“liberal in a hurry” — he signed a letter of support for Stalin’s purges. Noam Chomsky spent years denying
the holocaust in Cambodia, insisting it was the invention of American
propagandists. After Fidel Castro was done murdering and pillaging his way
through Cuban history, Barack Obama could only find it in his heart to say:
“History will record and judge the enormous impact of this singular figure on
the people and world around him.”
Pass the crumpets, Bernardine.
Bernardine Dohrn recently gave a speech in Chicago in
which she proposed turning the Cook County jail into a park as part of “a city
— a world — without jails.” It didn’t quite have the poetry of her earlier
work: “Offing those rich pigs with their own forks and knives, and then eating
a meal in the same room, far out! The Weathermen dig Charles Manson.” Of what
possible use could a jail be in the world imagined by such a mind?
Pigs, she
called the dead woman and her dead baby. The Weathermen dig it, and what’s
another skeleton or two, or another 100 million, beneath the foundations of
Utopia? Lenin had a few thoughts on how to go about making an omelet.
“These children that come at you with knives — you taught
them,” Manson said. “I didn’t teach them. I just tried to help them stand up.”
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