Saturday, January 6, 2024

Lights Out in America

By John Lloyd

Friday, January 05, 2024

 

Cancellations of people and events are most damaging when authorities surrender to the demands of the cancellers without a fight. When a university fails to insist that a “controversial” speaker be assured of a hearing in the teeth of noisy protests, it does more than cede victory to the protesters in return for a (temporarily) quiet life. This kind of capitulation tears another hole in the fabric of civil society, the free existence of which demands respect for a rule of free speech and publication, however unwelcome some speech and some publishing may be. Should the observation of this rule be replaced by a claim that speech on selected themes can cause fear and “pain,” public debate—especially in universities—will find itself at the mercy of self-appointed commissars tasked with sparing people psychological and emotional damage.

 

The US media enjoys the world’s strongest protections of speech and publication, so it might have been counted on to oppose this movement in the name of those freedoms. But instances of journalists being fired or forced to resign for writing or saying the wrong thing have been growing, and these cases tend to follow a similar pattern. First, a writer or editor publishes a piece that is deemed offensive to one or more groups of “marginalised” individuals. Second, activists, influencers, celebrities, and not infrequently the writer’s/editor’s own colleagues informally collaborate in a sustained social-media mobbing of the publication in question and any staffers unwise enough to defend the article at issue. Third, following a period of agonised indecision, the writer/editor is pushed out and the publication releases a craven apology detailing the hurt caused and the lessons learned. Upshot? The mob is greatly empowered and the spectrum of permissible opinion shrinks.

 

***

 

When James Bennet was ejected from his post as head of the New York Times’s opinion section in June 2020, the sequence of events followed this template exactly. Just four days earlier, Bennet had published an op-ed by the Republican senator from Arkansas, Tom Cotton. Cotton argued that the army should be deployed to protect citizens and businesses from the burning and looting that followed the death of George Floyd during Floyd’s arrest by Minneapolis police officers. Though Cotton’s column was careful to emphasise that soldiers would only be deployed for protection, it was misrepresented and misunderstood as a call to pit armed troops against defenceless protesters. A substantial number of the paper’s younger journalists duly objected to the appearance of Cotton’s column, and took to Twitter to express their outrage. A statement from the newspaper’s branch of the journalists’ union, the News Guild, announced that the op-ed was “a clear threat to the health and safety of the journalists we represent.”

 

Bennet has now told the story of what happened to him in a lengthy essay for the Economist, the British news magazine where he has since been given a home as a columnist. He recalls that his decision to commission and publish the Cotton op-ed was initially supported by both the executive editor, Dean Baquet, and the paper’s publisher, A.G. Sulzberger. Indeed, when the row first erupted in the newsroom, Baquet seemed to be bemused by the behaviour of his outraged colleagues, and by the notion that the expression of opinion could be “a clear threat” to journalists’ safety. “Are we truly so precious?” he asked Bennet rhetorically. The answer turned out to be an unequivocal “yes,” and Baquet had to withdraw his support following after three days of histrionic online uproar. “Sulzberger called me at home,” Bennet remembers, “and, with an icy anger that still puzzles and saddens me, demanded my resignation.”

 

The rest of Bennet’s vast essay is consumed by a scathing denunciation of the paper he once served (and of which he was spoken as a possible future executive editor). It is a loosely crafted exposé of cowardice and bad faith—stylishly written, overlong, and occasionally self-serving and repetitive. Nevertheless, the essay is replete with stinging insights and memorable aperçus:

 

·         “The Times’s problem has metastasised from liberal bias to illiberal bias, from an inclination to favour one side of the national debate to an impulse to shut it down altogether.”

 

·         “[The Times now lacks] the moral and intellectual courage to take the other side seriously and to report truths and ideas that your own side demonises for fear they will harm its cause.”

 

·         “[L]eaders of many workplaces and boardrooms across America find that it is so much easier to compromise than to confront—to give a little ground today in the belief you can ultimately bring people around. This is how reasonable Republican leaders lost control of their party to Trump and how liberal-minded college presidents lost control of their campuses. And it is why the leadership of the New York Times is losing control of its principles.”

 

·         “Since Adolph Ochs bought the paper in 1896, one of the most inspiring things the Times has said about itself is that it does its work ‘without fear or favour.’ That is not true of the institution today—it cannot be, not when its journalists are afraid to trust readers with a mainstream conservative argument such as Cotton’s, and its leaders are afraid to say otherwise.”

 

·         “A journalism that starts out assuming it knows the answers, it seemed to me then, and seems even more so to me now, can be far less valuable to the reader than a journalism that starts out with a humbling awareness that it knows nothing.”

 

·         “The old liberal embrace of inclusive debate that reflected the country’s breadth of views had given way to a new intolerance for the opinions of roughly half of American voters. New progressive voices were celebrated within the Times. But in contrast to the Wall Street Journal and the Washington Post, conservative voices—even eloquent anti-Trump conservative voices—were despised, regardless of how many leftists might surround them.”

 

·         “Even columnists with impeccable leftist bona fides recoiled from tackling subjects when their point of view might depart from progressive orthodoxy.”

 

·         “[T]o the shock and horror of the newsroom, Trump won the presidency. ... Many Times staff members—scared, angry—assumed the Times was supposed to help lead the resistance. Anxious for growth, the Times’s marketing team implicitly endorsed that idea, too.”

 

·         “Americans can shout about their lack of free speech all they want, but they will never be able to overcome their differences, and deal with any of their real problems, if they do not learn to listen to each other again.”

 

The former journalist and novelist (Primary Colours) Joe Klein picked up the themes of Bennet’s essay and made them still more pointed in a shorter piece on his Substack titled “The Times at Ebb Tide.” For Klein, a lifelong reader and (now qualified) admirer of the New York Times, the paper has been afflicted for four decades by “a growing intellectual rot … a debilitating moral pomposity.” Klein and Bennet agree that the Times has been captured by illiberal and inflexibly dogmatic journalists intolerant of disagreement on a suite of moral and policy issues. More clearly than Bennet, Klein identifies that rot as a failure—shared by the Democratic Party—“to speak the truth about [topics like] race, crime, welfare, poverty and education.”

 

A new generation of Times journalists believe they are responding to a higher calling than the pursuit of truth and understanding. Once the world has been neatly divided into good and bad, the only important question left is how to isolate and punish the latter. As a result, the American political landscape has become a Tolkienesque world of morally sound tribes (hobbits, dwarves, elves) battling bands of morally deformed beasts (the Nazgul, orcs, uruks). It is to the latter tribe that Tom Cotton is believed by Times journalists to belong.

 

Tom Cotton hails from a farming background in Arkansas. He went to Harvard, but showed an early distaste for its liberal pieties and wrote for the Crimson “against sacred cows, such as the cult of diversity, affirmative action, conspicuous compassion and radical participatory democracy.” After three years in a law practice, he joined the US army and fought with distinction as a junior officer in Iraq and Afghanistan. In 2013, he became a Republican congressman, then a senator two years later, where he opposed cutting incarceration levels and disputed the view that the US justice system is systemically racist.  

 

It is for these reasons more than anything he actually wrote in his Times commentary on the Floyd riots that Cotton attracted the hatred and contempt of the paper’s journalists. But because they could not cancel a sitting US senator, they settled for the scalp of his commissioning editor instead. Bennet had come to the Times from the executive editorship of the Atlantic magazine, and was therefore one of the highest prizes of the cancelling classes.

 

Social media is widely blamed for collapsing complex matters into the Manichean world in which the cancellers believe we live, but it is probably not blamed enough. The online magazine Tablet carried a story earlier this month about a New York public-school teacher who was told by a student that she would “never believe” that the Al-Ahli hospital in Gaza was hit by a stray Palestinian rocket, even if Hamas told her so. Distrustful of the mainstream media and political plurality, such students prefer to get their news from TikTok and Twitter. “They don’t read anything,” the teacher complains. “They just read headlines and pictures and memes. And they base their whole worldview on a set of memes.”

 

Presumably, Bennet’s sternly accusing colleagues do read something. They are New York Times journalists, after all, most of whom have graduated from the Ivy League colleges, where reading is said to be unavoidable. But social media has blunted their critical faculties, incentivised tribal and mobbing behaviour, and helped to reshape curiosity into an impulse to sniff out deviation from approved in-group norms, prompting punishment for apostates wherever possible. This continues, Klein observes, even when a claim that a column like Cotton’s has “threatened their safety” exposes them to ridicule. “I thought of Dexter Filkins,” Klein writes of Times reporters, “risking his life in Iraq and Chris Chivers doing the same in Afghanistan … and John Kifner dodging rocks and bottles with me during the housing riots in Boston—and I had to laugh.”

 

Also ludicrous is the failure to be consistent about what constitutes supposedly dangerous speech. Reflecting on the paradoxical nature of his former employer, Bennet wrote in his conclusion that a few months after he had been pushed out, the paper ran a “shocking op-ed praising China’s military crackdown on protestors in Hong Kong … but there was no internal uproar.” As if to underline the point, on Christmas eve, the Times published an op-ed by the Hamas-appointed mayor of Gaza City. Neither editorial decision resulted in internal upheaval, much less a senior defenestration.

 

Last month, Sulzberger issued a curt statement in response to the Economist’s essay, in which he insisted that he “could not disagree more strongly” with “the false narrative [Bennet] has constructed about The Times.” But he provided no specifics, preferring to rely on boilerplate generalities about how his paper was “holding the powerful to account,” “seeking to shed light rather than heat,” and so on. 

 

***

 

The publication of Bennet’s extended revenge by the Economist was a statement in itself. The British magazine had some form on this. In 2018, Steve Bannon, an influential former adviser to President Trump, was invited by David Remnick, the editor of the New Yorker, to take part in the magazine’s annual festival—a showcase for liberal artists, journalists, writers, and politicians. Bannon would be interviewed by Remnick himself, and the editor promised that he had “every intention of asking him difficult questions and engaging in a serious and even combative conversation.”

 

But once it became known that Bannon would be participating, several prominent figures expressed their displeasure in public and/or pulled out, citing their unwillingness to sully themselves by being in the same festival as Bannon. Chelsea Clinton tweeted that the event showed what the “normalization of bigotry looks like.” Kathryn Schulz, a New Yorker staff writer, spoke for many of her colleagues when she tweeted that she was “beyond appalled” by Bannon’s inclusion. The Guardian reported that “The Hollywood names Jim CarreyJohn MulaneyPatton Oswalt and Judd Apatow were among scheduled guests who said on social media that they would withdraw from the 19th festival, which will run from 5 to 7 October.”

 

Remnick rapidly backed down. The same day that Bannon’s appearance was announced, Remnick issued a statement to confirm that his guest had been disinvited. “I’ve thought this through,” it concluded, “and talked to colleagues—and I’ve reconsidered. I’ve changed my mind. There is a better way to do this. Our writers have interviewed Steve Bannon for the New Yorker before and if the opportunity presents itself I’ll interview him in a more traditionally journalistic setting.” That moment has yet to arrive. “In what I would call a defining moment,” Bannon replied, “David Remnick showed that he was gutless when confronted by the howling mob.” 

 

A little later in the year, Bannon found himself engaged in a “serious and even combative conversation” on a platform in London, supplied by the Economist. The assembled were treated to an argumentative interview by the magazine’s editor, Zany Minton Beddoes, and she pressed him hard on immigration policy, on racism, and on his support for the far-Right in Europe. It was enlightening, and no one to my knowledge found the occasion unsafe. Annoyingly, an eloquent defence of this kind of journalism was provided by Remnick himself at the very moment he was disavowing it. In his statement explaining the decision to disinvite Bannon, Remnick wrote:

 

The question is whether an interview has value in terms of fact, argument, or even exposure, whether it has value to a reader or an audience. Which is why Dick Cavett, in his time, chose to interview Lester Maddox and George Wallace. Or it’s why Oriana Fallaci, in “Interview[s] with History,” a series of question-and-answer meetings with Henry Kissinger and Ayatollah Khomeini and others, contributed something to our understanding of those figures. Fallaci hardly changed the minds of her subjects, but she did add something to our understanding of who they were. This isn’t a First Amendment question; it’s a question of putting pressure on a set of arguments and prejudices that have influenced our politics and a President still in office.

 

The value of Bennet’s essay about the Times lies in its revelation of how great the damage inflicted by the cancellers has become. When journalists at America’s liberal paper of record can get a senior editor dismissed for publishing a column by a sitting US senator, it has a catastrophic effect on the media’s claim to be a pillar of democracy. These should be men and women dedicated to the illumination of public policy from every side; instead, they are behaving as the stewards of acceptable discourse, and see it as their duty to turn out the lights.

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