By Jonah Goldberg
Friday, April 27, 2018
One of my great peeves is people who perform magic tricks
on dogs. The beasts don’t think, “Wow! How did he do that?” They think, “Nummy
treat vanish! Why? I was good.” But we can talk about that another time.
Another, lesser peeve is the term “science fiction.” The
term makes it sound like the emphasis is on science
— the gadgets, technology, etc. And there’s obviously some truth to that. For a
long time, the preferred term was “scientific romance” — but I don’t think
that’s much better, even though it made more sense at the time. The genre we
call “science fiction” began, by most accounts, with Mary Shelley’s Frankenstein. Science was still this
relatively new and bewildering thing, which had only recently — and still only
partially — split off from magic in the Western mind.
If you’ve read my new book (or to be fair, many other
books, beginning with Shelley’s), you know that the full original title was
“Frankenstein; or, The Modern Prometheus.” When it was written, electricity was
seen as an almost mystically world-changing phenomenon (which is why Kant
coined the phrase “Modern Prometheus” to describe Benjamin Franklin after news
of his experiments with electricity reached the Old World).
Today, if you read Frankenstein
the book — or even if you watch the countless movie versions of it — the least
interesting thing about the story is the technological stuff (indeed, many have
come to believe that the monster of the story is the creature, not the human
who created it). I read somewhere that the writers of Star Trek: The Next Generation would simply insert something like
“science babble TK” in the parts of the script that needed some filler about
warp coils or quantum states. Some science geek would drop that stuff in later.
That’s as it should be (TV shows such as The Expanse perhaps notwithstanding). I
like lasers and light-speed ships and all that stuff as much as the next guy,
particularly if the next guy is pretty nerdy. But, ultimately, what makes most
science fiction great is how un-futuristic
or anti-futuristic it is. That’s
because, while technologies advance and science explains more and more about
the universe, the one constant is human nature.
The same holds true for literature that goes back in time
or to alternative worlds. Part of the appeal of Game of Thrones is, of course, the dragons, the violence, the
gratuitous sex, etc. But the part that makes it accessible and gripping for us
is the humanity and the way the different settings expose the eternal constant
of human nature (or one facet of it).
The Great Divide
There is something profoundly conservative about this,
though not in any neatly partisan sense. One of the great intellectual and
philosophical divides — a chasm really — is between those who believe in the
“perfectibility of man” and those who side with Kant’s observation that “out of
the crooked timber of humanity no straight thing was ever made.” The
perfectibility of man comes with a lot of associated intellectual baggage. It
tends to rely on the idea that we are “blank slates.” How could it be
otherwise? If we come preloaded with software that cannot be erased, we cannot
be perfected. Rousseau, one of the great advocates of the perfectibility of
man, got around this by arguing that, in our natural state, we were perfect: “noble savages,” as John
Dryden put it. According to this theory, what makes us sinful isn’t our nature
but the oppressiveness of our civilization. “Man is born free, and everywhere
he is in chains” is the way that Rousseau put it, arguing that civilization was
unnatural and soul-warping.
But, since we couldn’t go back to our blissful state of
nature, the only choice was to go forward and create a new perfect society — an
idea that is only possible if you believe that the crooked timber of the people
can be shaped.
The Founders rejected this view, believing that human
nature is a constant, like a river. It can be shaped and, more often, channeled
— but it cannot be erased. It’s better, therefore, to create systems that check
our worst instincts and encourage our best ones.
I’ve come to think that these sorts of ideas are
preloaded into us as well. Indeed, they are two sides of the human heart, even
if one side or the other is dominant in most people. Today, we tend to argue
that secular or progressive people are intellectually descended from one
lineage and that religious or conservative people are descended from another.
We play connect-the-dots from Locke or Rousseau straight through the present day
and chalk it all up to the powerful consequences of ideas. I have no doubt that
there is much truth to this. But I also think humans have a natural tendency to
veer into one kind of thinking or another. In Medieval Europe, virtually
everyone — minus the ghettoed Jews — was a Christian. And yet these divides
manifested themselves quite often even then. Gnosticism often took the form — a
decidedly theological form — of a belief in the perfectibility of man. The
fights between some kinds of Protestantism and the worldly practices of
Catholicism had similar echoes.
I’m not going to get into the weeds on all of that; I
just bring it up to make the point that these ideas — orientations really — can
manifest themselves in societies where the secular–religious and
liberal–conservative prisms have little to no explanatory power. When the
primary language of humanity was religious, these ideas were expressed
theologically. The perfectibility of man or society was still there, but we
talked about the perfectibility of the soul and the ability to create a Kingdom
of Heaven on Earth.
When God was dethroned by many intellectuals, the
language changed but the impulses endured. The Jacobins threw away the wrapper
of religion and picked up the concept of the Nation, but the underlying passion
remained. The Bolsheviks, at least at first, threw away religion and nation, but they still claimed they
were ushering in a Kingdom of Heaven on Earth. The American Progressives went a
different way: They kept much of the religion, but they bent it to the new
social sciences, insisting that Jesus was the first socialist or the first
eugenicist.
The Immortal on
Our Shoulders
There’s a stock character in a lot of science fiction and
fantasy: the immortal. There are lots of different versions, but one of my
favorite types is the man who witnesses the ages of man go by and feels like he
has seen it all before. Things change around him, but the people really don’t
(it’s this spirit that makes Albert Jay Nock’s writing so compelling).
Increasingly, that’s how I view many of the ideas we
ascribe to this or that thinker: incorporeal immortals that manifest themselves
in different people at different times. They take on the fashions of the age,
but underneath the costumes and the jargon, it’s the same old ideas manifesting
themselves in novel forms. The actual humans making these arguments often
insist that “this time is different” or “my idea really is brand new.” But if
you look long and hard enough, you can see the immortal grinning behind the
mask.
In politics, at least in the West, among the most
persistent and dedicated of the immortals is the one who says this life is
unnatural and alienating. What we must do is abandon our selfish individual
pursuits and all join together. That immortal is the strongest, or at least the
loudest, in the West because the West came up with a new idea: that we all have
the right to pursue happiness — not attain it, but pursue it — and that
therefore we have a right to be wrong, at least in another person’s eyes.
That is not how we evolved. It is not what our brains
were wired for. And that is why the immortal on our shoulders is constantly
coming up with “new” arguments for the old idea that we must retreat to the
tribe and embrace that sense of belonging we get from the group, where all
meaning is bound together. The group is our religion and our family and our
politics and our entertainment. The details and rationales change with the
times, as do the supposedly sacred units — nationalism, the moral equivalent of
war, racism, socialism, Communism — but the underlying idea is always the same.
And it will be forever thus. Because human nature doesn’t change.
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