By David French
Tuesday, January 19, 2016
To hear the radical Left tell it, three of America’s most
powerful institutions are in the grips of malignant, systemic racism. The
country’s major cities — led by Chicago — have declared “open season” on black
males. Its universities perpetuate a climate of oppression so stifling that
only large-scale student protests can spur reform. And let’s not forget our
vile movie business, with its #OscarsSoWhite disregard for black actors.
Yet are there any sectors of American culture more
dominated by the progressive left than our urban enclaves, college campuses, and
entertainment industry?
America’s largest cities are governed by overwhelming
progressive majorities and have been for decades. As I’ve noted before,
Evangelical churches are more
politically diverse than entire Democratic cities. By 2014, there were exactly
nine Republican mayors in the nation’s 100 largest cities. If you’re a
conservative with political ambitions, your only hope is to move to the
suburbs.
On college campuses, conservatives are an endangered
species. In multiple disciplines, liberals outnumber them by more than 25 to 1,
and in some disciplines, the conservative point of view is all but extinct.
Here, for example is a plot of the views of social psychologists on nine key
“culture-war” issues, including abortion and gay marriage:
The academy was always liberal, and it just keeps moving
left.
What about Hollywood? While there’s a lively debate over
whether directors and producers actually “blacklist” conservative actors, no
one credibly argues that the movie industry is anything but faithfully
progressive. Yet these same progressives now face a budding boycott over
allegations that they “whitewashed” the Oscars.
Stupidity abounds. From their undisputed cultural
heights, progressives have sold the American people on a fantasy that says
America is racist unless every demographic group enjoys the benefits of its
life and shares its burdens in exact proportion to their numbers — except, of
course, when it comes to areas of the culture dominated by African-Americans.
It’s perfectly fine for hip-hop or jazz to be overwhelmingly black, but if
psychology departments aren’t carved up with demographic precision, then it’s
time to swarm the administration building.
Writing in Rare,
my wife once summed up this mindset as it applies to feminists: “Men and women
are the same, except when women are better.” The same analysis applies to race.
White progressives have established that black and white are the same, except
when black is better. That means any area of disproportionate black success is
grounds for celebration, while any area of disproportionate black failure is
not just evidence but proof of
racism.
Yet life will never break down so neatly along racial
lines. Race, culture, religion, and history mix in extraordinarily complex
ways, and focusing merely on numbers reduces the diversity of human experience
to a mere math problem. If people self-consciously form and celebrate a
distinct culture, doesn’t it stand to reason that people from distinct cultures
will make different life and career choices from others? There’s a dearth of
black singers in country music. Does that mean that modern Nashville is a
hotbed of racism, or does it mean that a combination of history (that, yes,
includes racism), culture, and simple matters of taste means that there just
are not that many young black men writing songs about drinking whiskey on the
tailgate of their F-150?
Worse yet, rather than rejecting this artificial,
white-progressive construct, elite black radicals foolishly double down. They
look at 40 years of liberal bean-counting, and rather than decrying its
futility and destructiveness, they demand more government coercion, more social
engineering, and more liberalism. In cities and universities, the threat to
Democratic rule comes from a Left that isn’t so much reimagining solutions to
the challenge of persistent economic inequality as it is claiming that
inequality persists because the standard white-progressive solution hasn’t been
implemented with enough force and fury.
At the end of the day, however, that’s simply not true.
White progressives have been implementing the same policies in inner cities
forever, and black voters — their principal victims — keep coming back for
more. Breaking the cycle is a matter of mutual responsibility. Yes,
conservatives need to pursue black voters and sell them on a different vision,
but to blame the problem entirely on their failure to do is to deny agency to
African-Americans. Black voters are not pawns to “messaging.” They’re human
beings fully responsible for their own mistakes, and ever since Martin Luther
King, Jr.’s horrifying death, a collection of race profiteers and carnival
barkers have exercised wildly disproportionate influence over African-American
politics. That’s not white America’s fault.
Progressivism works for tenured professors, Hollywood
directors, and Rahm Emanuel. It’s the path to riches for black radicals. But
for black voters, progressivism is a one-way road to continued stagnation and
despair. If you care about continued oppression, take a good, hard look at
who’s doing the oppressing. See any conservatives?
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