By Rich Lowry
Monday, August 05, 2024
The basement campaign has been updated.
Kamala Harris isn’t in the cellar of the Naval
Observatory campaigning via Zoom calls à la Joe Biden in 2020.
No, she’s speaking to adoring crowds fired up by pop stars. She’s identifying
herself with powerful (if somewhat esoteric) cultural trends. She’s clapping back against Donald Trump with panache.
Indeed, in one of the great political transformations of
our time, she’s gone from a sub-par vice president to the second coming of
Barack Obama in the space of about two weeks.
Except Obama was a genuine political talent who was glib
enough to handle almost anything. He wasn’t an intellectual but was a writer
with intellectual interests — in another life, he could have been a staffer at
the New Yorker instead of president of the United States
(would that it had been so).
The people most aware that Kamala isn’t truly a new
version of Obama are the people around her, who clearly fear putting her in any
setting where she isn’t reading from a script.
Biden’s basement campaign in 2020 kept him from having to
go out and build a crowd, but he did interviews.
Kamala’s teleprompter campaign in 2024 is meant to limit
her exposure to keep her from inadvertently bursting the media bubble that’s
been created around her.
In that, her campaign may resemble the pre-debate Biden
approach this year more than his limited stumping in 2020. Biden’s campaign
this year obviously feared putting him out in any setting where he’d be
challenged, and when his abysmal debate performance forced them to do so anyway
(to prove he’d just had “a bad night”), the additional exposure resulted in
predictable disaster.
Kamala’s problem isn’t messing up names or dates or
losing her train of thought — hallmarks of aging. Rather, she often ends up
repeating the same (usually banal) thought in slightly different words, so she
expresses herself in an endless loop of vacuity.
In one of her few off-script comments since her
ascension, she explained last Friday why Joe Biden should get credit for
the prisoner swap:
This is just extraordinary
testament to the importance of having a president who understands the power of
diplomacy and understands the strength that rests in understanding the
significance of diplomacy and strengthening alliances.
For those keeping track, that’s three “understands,” two
“diplomacys,” and two “strengths” in one sentence. All that she said is that
it’s important that Biden understands diplomacy, but she didn’t know how to
land the plane after stating this simple idea in a brief sentence.
Because Kamala hasn’t been out there, we don’t know in
her own words how she feels about the amazing turn of events over the last two
weeks, how she plans to lead, or — and this is important — how she explains her
multiple changes in position since she last ran for president.
If a presidential candidate flip-flops on one thing
during a campaign, it’s usually a focus of discussion for weeks. She’s done so
on about eight things with no explanation whatsoever and without generating any
significant media static.
If you were them, wouldn’t you want to keep it that way?
The campaign will eventually need to do some interviews.
Perhaps they will address the criticism that she’s being kept from the media
with some appearances on MSNBC and with sympathetic influencers. Then, they can
address the further criticism that Kamala is only talking to partisan outlets
with a sit-down with a relatively safe journalist who has credibility in the
broader media, say, Lesley Stahl of 60 Minutes.
Besides that, back to the teleprompter!
It’s extraordinary that the Democrats had one
presidential candidate whom they didn’t trust with interviews and have replaced
him with another, fresh, and younger candidate whom they also don’t trust with
interviews.
This is why Trump has to debate Harris. He wasn’t great
in the Biden debate but managed to stay out of the way enough for Biden to
stumble and fall on his own. Given the way Harris has been hiding from the
media, a debate (or debates) may have to be one of the main means of trying to
expose her.
She’s out of the basement, but she’s never off script.
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