By Jay
Nordlinger
Thursday, June
17, 2021
In the Middle East, a democratic transfer
of power is very, very rare. It’s not as common as it should be in the rest of
the world either. I begin my Impromptus
today with a reflection on Israel and its
lively, even raucous democracy. Do you know that, in Syria, Assad was just
“reelected” with 95 percent of the vote? That’s the rule, in the Middle East,
and in other regions of the world too.
In today’s column, I also address the GOP
and Trump; Western business and China; the cancel culture; Jim Jordan; Andrew
Giuliani; music; and more. Something for everyone to love, and hate, I think.
Give it a try.
Here, I’d like to spend a second on
language. Senator Marco Rubio has called his Democratic challenger in Florida,
Congresswoman Val Demings, “radical Left,” a “far-Left extremist,” and so on.
Demings is an ex-cop and a onetime chief of the Orlando police. She is not what
Bill Ayers, Mark Rudd, Abbie Hoffman, and the rest of the boys had in mind.
And the thing about calling someone like
Demings “radical Left” — what language are you going to have left over for the
radical Left? You’ve robbed us of words, of tools, that make sense.
Years ago, a famous columnist called me a
“shill for the far Right.” In my response, one of the things I said was, “If
I’m far Right, what are you going to call the far Right?”
Then there is the F-word — not “far” but
“fascist.” I have been called a fascist ever since I embraced Reaganite views
in my late teens and early twenties. People like me are anti-fascist, of
course: in favor of limited government, individual rights, equality under the
law, a free economy, etc. But this is of no importance to demagogues and
ignoramuses.
You recall what Orwell said: “The word
Fascism has now no meaning except in so far as it signifies ‘something not
desirable.’”
I could tell a number of stories, but will
confine myself to one. A friend of mine was having lunch with a famous
musician. My name came up, via my friend. The famous guy said, “You mean that
fascist?” (My friend defended me.)
I have not reviewed the guy since — not
because I’m afraid my views would be colored. I observe “strict separation,”
and would praise the devil himself, if the devil played well or composed well.
It’s just that, frankly, I don’t want to see him.
Then there is the R-word, the scarlet R
for “racist.” I have been called that, too, my whole career — a price for advocating
colorblindness, One America, E pluribus unum, and all that liberal
jazz. (Liberal in an older sense.) I wrote an essay about this in 2010, for
those interested: here.
There are real racists, real fascists,
real radical leftists in the world — millions of them. And if you misapply or
otherwise abuse those words, you have robbed them of their power. You have, in
fact, deprived us of meaningful, even necessary, words.
And just because politicians are boobs and
demagogues, doesn’t mean the rest of us have to be that way. (There are
politicians whose IQ drops about 75 points when they speak in public. In
private, they are not boobish or demagogic at all.)
I’m even mindful of words such as “great.”
May I quote from a review, written in 2014? I had heard Matthew Polenzani and Kevin Murphy
perform Die schöne Müllerin, the Schubert song-cycle:
I had
never really thought of [Polenzani] for lieder, frankly — for German art songs.
I wasn’t sure how Die schöne Müllerin . . . would
go. I knew the singing would be beautiful. But would it be profound, idiomatic,
transporting, shattering?
Yes, it
was. It was all those things. In fact, it was one of the peak lieder
experiences of my life. You know how people use the word “great” in everyday
speech? As in “This tuna sandwich is great,” or “That was a great editorial in
the paper on Tuesday”? This Schöne Müllerin was great in the
sense of: in accord with the highest artistic standards and ideals.
And the
piano-playing matched the singing. I can’t say this, as Kevin Murphy’s friend,
but it’s still true.
Yup, it was. Remember it well. Anyway,
enough words about words. Today’s Impromptus, once more, is here.
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