By Kevin D. Williamson
Sunday, July 26, 2015
Somewhere in Iran, a team of very studious, serious, and
likely bespectacled men is working, diligently and tirelessly, to build a
nuclear weapon. Perhaps it will be detonated in Jerusalem. Perhaps it will be
detonated in New York City, and perhaps these men describe their work, with
grim humor, as “the Manhattan project.”
Meanwhile, in Glasgow, the West is not concerned with men
strapping on their armor, but about whether some men who strap on wigs and
brassieres are offensive to other men who strap on wigs and brassieres. Our Kat
Timpf reports that Glasgow’s biggest gay-pride festival banned and then
unbanned performances by some drag queens (but only some! A bit more on that in
a bit) from its annual march.
Drag queens have been a part of gay life in the Western
world for many years, from New York’s Halloween parade to London cabaret acts.
Under pressure from transgender activists, the Glasgow festival banned
so-called cisnormative drag queens — drag queens who are, underneath the
makeup, men who enjoy dressing up as women rather than men who believe
themselves to be women, i.e. good old-fashioned weirdos without the delusional
psychotherapeutic window-dressing — on the basis that their costumes lampoon
femininity, which offends transgendered women, i.e. men who believe themselves
to be women. That a theatrical group of almost exclusively gay men should have
non-nonconformist attitudes toward femininity is not entirely surprising; what
is almost surprising — but not quite —
is that we are expected to take seriously the proposition that we must
suppress this affront to the feminine identity because it offends women who
have penises and testicles.
The organizers of the “LGBTQIA+” (what, no asterisk? Oh,
the bigotry!) festival explained:
The decision was taken by transgender individuals who were uncomfortable with having drag performances at the event. It was felt that it would make some of those who were transgender or questioning their gender uncomfortable. It was felt by the group within the Trans/Non Binary Caucus that some drag performance, particularly cis drag, hinges on the social view of gender and making it into a joke, however transgender individuals do not feel as though their gender identity is a joke.
Sexuality has been many things over the course of human
history: an “orientation,” a taste, an inclination, an indulgence — only in the
dreary, ugly, neo-puritanical days of the early 21st century is it a “caucus.”
I’ve always been of the opinion that what a man likes to do with his own caucus
is pretty much his own business, assuming consent and the absence of barnyard
animals or construction equipment, but that is far too happy-go-lucky an
attitude for these times.
The scolds in Glasgow add: “We will be reinforcing our
safer spaces policy at the event and asking that no one assume anyone else[’s]
gender and remember to always ask pronouns.” “Asking pronouns” is part of our
new, elaborate Victorian-revivalist code of etiquette: If you see a
six-foot-four fellow with a long beard and a size 48 jacket, make sure to ask
whether he (but don’t say “he!” for goodness’ sake!) prefers to be called “he,”
“she,” “they,” “illa,” “Zoltan,” “the mighty Quinn,” or whatever.
Organized homosexuality grows ever more authoritarian: It
has been seriously suggested by some transgender activists that I should be
arrested — not criticized, not shunned, but locked in a cage — because I
decline to describe Bradley Manning, Laverne Cox, et al. as women, because I
don’t “ask pronouns” and then play along, because I decline to participate in
the delusion that these men are women. My own attitude toward these things has
always been live-and-let-live: I don’t care if you skip down Broadway with a
walrus tusk tucked into your hat band, but don’t expect me to pretend that
you’re a unicorn. Drag queens have always understood that what they do is a
genre of theater, but when all the world’s your stage, as it is for the
purportedly transgendered, then live-and-let-live won’t do.
These teapot totalitarians always end up eating each
other, and that’s amusing to watch. Rugby-loving gay men who live on egg whites
and spend four hours a day at the gym and have no time for the flabby and the
swishy are criticized for reinforcing narrow and stereotypical approaches to
masculinity; well-meaning people who affirm that Bruce Jenner makes a fetching
Caitlyn face similar criticism; feminists who demand more funding for research
into breast cancer and ovarian cancer are vulnerable to charges that their
priorities marginalize women who do not have breasts and who have testes
instead of ovaries; drag queens are held to be offensive because they’re in it
for kicks. The old bacchanalian attitude of the sexual demimonde had its
shortcomings, to be sure, but at least you didn’t have some third-rate
junior-class president barking orders at you: “Ask pronouns! Enforce safer
spaces!”
The Glaswegians reversed themselves, incidentally, after
protests from the drag queens. The emerging sexual hierarchy — the endless
question of who’s on top, socially speaking — still is being contested.
Somewhere in Iran, a very studious, serious, and likely
bespectacled man takes a break from his work to peruse the news, nonplussed by
the faraway social combat between a group of men pretending to be women for an
evening and a group of men pretending to be women full-time.
And then he gets back to work.
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