By Humberto Fontova
Saturday, March 08, 2014
Famous foe of imperialism Oliver Stone just premiered his
documentary “Mi Amigo Hugo” (“My Friend Hugo”) in the Cuban colony of
Venezuela. As the title suggests, the film honors Hugo Chavez, Cuba’s late
Venezuelan viceroy. The film was released amidst lavish celebrations on the
first anniversary of Chavez’ death and broadcast on the Cuba-run TV channel of
the Cuban viceroyalty of Venezuela. For the occasion, Raul Castro himself
graced his South American dominion with a visit.
“Venezuela today is a country that is practically
occupied by the henchmen of two international criminals, Cuba's Castro brothers,”
recently declared Luis Miquilena who served as Hugo Chavez’ Minister of Justice
for three years before finally resigning in disgust. “They (the Cubans) have
introduced in Venezuela a true army of occupation. The Cubans run the maritime
ports, airports, communications, the most essential issues in Venezuela. We are
in the hands of a foreign country. This is the darkest period in our history.”
The Chavez documentary comes twelve years after the
premiere at the Sundance Film Festival of Oliver Stone’s documentary
“Comandante,” which honored Venezuela’s foreign emperor himself: Fidel Castro.
''I am like a prisoner,'' Castro laments to Stone near
the beginning of “Comandante.” The Stalinist dictator was referring to the
travails that accompany his selfless vocation of running Cuba. “This is my
cell,'' he sighs while pointing around. At this declaration from the jailer of
more political prisoner per-capita than Stalin, the famously “edgy” Oliver
Stone reveals no hint of a smirk. And no snarkiness tinged his follow-up
questions, most of which hovered right over home plate. When a few questions strayed
from the banal talking points and Castro answered evasively, Stone twinkled
that, “his elusiveness is always charming.''
''Fidel is magnetic and charismatic,'' Stone concluded.
“He is a movie star.''
Alas, he’s getting a little long in the tooth for
close-ups. So Stone has since shifted the focus of his camera lenses over to
the more camera-friendly subject of Castro’s colony Venezuela.
Nowadays the Cuba-enthroned emperor of Venezuela more or
less reigns while his baby brother Raul rules. The actual nuts and bolts of
running the empire, which include stealing 100,000 barrels of oil daily from
their Venezuelan viceroyalty as priority, comes courtesy of the 50,000 Cubans
who infest Venezuela and run the colony’s vital police and intelligence
functions, among many others. It took the Castros some doing, but they finally
got Venezuela in the bag. To wit:
Fidel Castro’s very first trip abroad as head of state
was to Venezuela where on January 25, 1959 he implored Venezuelan President
Romulo Betancourt to “join” his “master plan against the gringos.” The newly
elected Venezuelan president soon learned that his “joining” would consist of
massive loans, financial aid, and shipments of free oil to Castro from
Venezuela. So Betancourt brusquely declined the “invitation.” It took Hugo
Chavez for Venezuela to finally “join” Castro’s master plan.
Please note the date and the aggressive anti-U.S. policy
Castro proposed to Venezuela. That was only two weeks after Fidel Castro (with
U.S. help) entered Havana. And yet you’ll be hard-pressed to find a U.S.
“academic expert” who doesn’t swear up and down that in 1959-61 the U.S.
arrogantly, selfishly and stupidly snubbed a friendly Fidel Castro and pushed
him—kicking and screaming, no less-- into the arms of the Russians.
As the title of Stone’s new film suggests, the filmmaker
does not hide his veneration for Cuban satrap Hugo Chavez any more than he did
for his mass-murdering, war-mongering colonial master Fidel Castro. This makes
Stone’s propaganda films for Latin American communists less effective than
those of his fellow filmmaker Robert Redford, who with his Motorcycle Diaries
performed services for the image of Che Guevara that no Madison Avenue agency
could hope to match for a client. To compare Stone to Redford simply compare
Julius Streicher to Leni Riefensthal.
Oliver Stone claims that the massive protests currently
rocking Venezuela are simply the CIA’s handiwork, with a few Venezuelans in the
role of local patsies. Given all the hidden hands and plotters and “patsies” in
Stone’s movie JFK, we can barely wait to see what a tangled web Stone will
eventually weave regarding the current Venezuelan crisis.
Three weeks before departing for Venezuela to premier his
communist infomercial Oliver Stone was among the honored speakers at the recent
“2014 International Students for Liberty Conference.” The crowd at this
Libertarian-Palooza, according to some accounts, was absolutely mitten with a
man who devotes much of his time and fortune to glorifying dictators who abolish
private property and murder entrepreneurs. Apparently these aren’t your
father’s libertarians.
The only fuddy-duddy scoffers were a handful of Latin
American students with first-hand experience of the handiwork by the communists
Stone exalts in speech, print and film. Funny how that works.
Stone’s advocacy and infomercials for Castroism and
Chavismo have brought him under fire recently in social media. But he’s been
quick to fire back. “You (critics) remind me of crazy Tea Partiers!” he
recently snarled on his Facebook page. More horribly still his critics are:
“Similar to the right-wing Florida Cuban exiles who’ve helped keep the US in a
dungeon of ignorance.”
Speaking of dungeons, ignorance and Cuban exiles. Among
these latter Stone can find the most and the longest suffering political
prisoners in the modern history of the human race. This suffering came in
torture-chambers and dungeons designed by his Stalinist idol and his
KGB-mentors. Let’s hope Oliver Stone is merely ignorant of that.
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