By Rich Lowry
Friday, April 03, 2026
So much for journalistic objectivity.
The BBC science editor covering the launch of Artemis II
couldn’t contain her enthusiasm when the first plumes of smoke spread out from
the launch pad. “Oh, my goodness! Oh, my goodness!” she exclaimed, clapping
like a school girl.
As the rocket lifted off, she got visibly emotional:
“It’s not just what you see and you hear as the rocket lifts off. You can feel
the force of it through your body. This is the most powerful rocket that NASA
has ever built!”
Rebecca Morelle can be forgiven for falling in love with
the subject of her story.
A rocket launch is an awe-inspiring event — a controlled
explosion hurling a gigantic projectile into the ether. There’s the sheer
power, the unavoidable risk, the questing spirit. A rocket feels and looks like
the future, and there’s something very human about gazing into the sky in
wonder.
NASA hasn’t been glamorous in decades. Once upon a time,
kids were putting up glossy photos of Apollo rockets and astronauts on their
bedroom walls. But the Apollo program was killed long ago — civil-rights
activists were among those mobilizing against it, oddly enough — and nothing
has captured the imagination the same way since.
The Space Shuttle made space flight routine and boring,
and there was nothing particularly ambitious about the International Space
Station. Rovers and telescopes were worthy endeavors, but not thrilling.
There is no substitute for manned space flight. The
Artemis project is not exactly boldly going where no man has gone before, since
it seeks to return to the moon after we were there a half century ago. But
sending astronauts 250,000 miles from Earth as part of a project eventually to
set up a base on the moon is the most enterprising NASA project since Apollo.
This is all to the good, but Artemis has been plagued by
delays and cost overruns. NASA hasn’t been able to replicate the urgent,
mission-driven approach that characterized the Apollo program. It took eight
years to get to the moon the first time, while Artemis has been going for nine
years and we still aren’t back.
NASA projects tend to get caught in a cycle: One
president proposes a big new initiative only for it to get canceled by his
successor, who proposes his own initiative that is canceled in turn.
The worst-case scenario is that a Democratic president
elected in 2028 nixes Artemis because President Trump favored it.
That said, the space expert Robert Zubrin notes that
space is particularly appealing to Americans as a people defined, in part, by
the frontier. JFK talked of “the New Frontier,” and the famous open of the TV
show Star Trek called space “the final frontier.”
Certainly, the American space program is a marked
contrast with that of the Europeans, the European Space Agency. NASA’s budget
is several times larger. We’ve sent men to the moon whereas they haven’t. And
we’ve sent multiple successful landers and rovers to Mars (the first lander in
1976, the first rover in 1997), whereas the ESA has only managed two
unsuccessful landers.
Getting back to the moon is nice, but it is a manned
mission to Mars that should be our ultimate objective. It would truly be
another giant leap for mankind, opening up a vista of homo sapiens as a
multi-planetary species. The technological challenge would be significant,
requiring Apollo-like exertions, while there’s much of scientific importance to
be learned on the Red Planet.
Right now, the most popular movie in America is Project
Hail Mary, a sci-thriller about a desperate mission into space. The film
plays to our inherent interest in journeys into the unknown, and to our
admiration for those who have the courage to explore new worlds, from Francis
Drake to Neil Armstrong.
Artemis II tapped into the same thing, which is why that
BBC reporter — and so many of the rest of us — were so moved.
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